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Bibliography

“Alfred Hitchcock.” Biography.com, A&E Networks Television, 28 Apr. 2017,

www.biography.com/people/alfred-hitchcock-9340006.

 

This source examines Hitchcock’s life from childhood until his death, encompassing his achievements at a young age like attending the University of London or later achievements like winning the American Film Institute’s Life Achievement Award. Despite this great information, the source simply gives the reader general information about Hitchcock, rather than many details about each film that Hitchcock created.

 

“A Quote by Alfred Hitchcock.” Goodreads, Goodreads, www.goodreads.com/quotes/35956

-there-is-no-terror-in-the-bang-only-in-the.

 

The use of this source was simply for a concluding quote.

 

Barson, Michael. “Sir Alfred Hitchcock.” Encyclopædia Britannica, Encyclopædia Britannica,

Inc., 9 Aug. 2018, www.britannica.com/biography/Alfred-Hitchcock.


This source also examines Hitchcock’s life; however, this particular source gives great detail about his life, such as childhood terrors and great length on the individual films. For this particular essay, minute details about each film were not necessarily important for an informative speech about Hitchcock himself. Nevertheless, the information was helpful despite not including a majority.

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Campbell, Carola, and Gabrielle Mander. Rebecca. Encyclopædia Britannica, Inc., 8 Nov. 2018,

www.britannica.com/topic/Rebecca-novel.

 

This source was used to refresh my memory of Rebecca, such as character names or

character traits. While this source is about the book, Rebecca, Hitchcock followed the plotline very similarly in the film, and so while typically the difference between the book and the film is dramatic, Hitchcock did not stray from the plot of the book.

 

“Dark Romanticism.” Dark Romanticism Study Guide, americanliterature.com

/dark-romanticism-study-guide.

 

This source provided background information on Gothic Literature. Although most of the

information in this article was not utilized, a particular distinction of Dark Romanticism on sin aided the progress of the essay.

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“Edgar Allan Poe.” Wikipedia, Wikimedia Foundation, 23 Apr. 2019, en.wikipedia.org/wiki/Edgar_Allan_Poe.

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This source was used as a point of reference for the story of Poe's life. Between the Poe Museum and this accessible article, Edgar Allan Poe's bibliography gives readers more understanding of who he is as a person and as an author.

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Entertain The Elk. “How Hitchcock Creates Suspense.” YouTube, 7 Jan. 2017,

www.youtube.com/watch?v=s-QVHJDmD6A.

 

This source was used for Hitchcock’s explanation “Bomb Theory.” The video uses Children

of Men and Touch of Evil to describe the difference between surprise and suspense, and the recording of Hitchcock’s “Bomb Theory” especially dramatizes the explanation of suspense.

 

“Gothic Literature.” Gothic Literature Study Guide, americanliterature.com/gothic-literature

-study-guide.

 

This source provided insight to the origin of Gothic Literature and its history from

Romanticism, specifically Dark Romanticism. This information became useful because

the definition of gothic motifs proved to be vital for this essay.

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Hitchcock, Alfred. Hitchcock on Hitchcock: Selected Writings and Interviews. 1st ed., vol. 2,

University of California Press, 2014.

 

Not only was this novel insightful about Hitchcock’s experience in Hollywood, the source showcased the personality of Hitchcock in attesting to the multitude of quotes from Hitchcock himself. Of course, this information unlike many sources is from Hitchcock the man himself; he brought interviews, journals, and other pieces of writing together to create a book full of information about how he worked, why he worked, and who he was.

 

Jacobowitz, Florence. "Under Capricorn: Hitchcock in Transition." CineAction, Gale, 2000,

pp. 18-27. Accessed 10 Oct. 2018. link.galegroup.com/apps/doc/A30061150/LitRC?u=va

_p_wakef_s&sid=LitRC&x=b890f731.

 

This source provided a key quote to describe Gothicism in Hitchcock, adding ethos to the

Gothic Literature paragraph. Although the source does discuss a multitude of other topics

surrounding Hitchcock, the quote used is still pertinent.

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Labriola, Patrick. “Edgar Allan Poe and E. T. A. Hoffmann: The Double in ‘William Wilson’ and The Devil's Elixirs.” International Fiction Review, 2002, journals.lib.unb.ca/index.php/IFR/article/view/7718/8775.

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This article detailed "William Wilson" in a comprehensible summary which aided my process of writing the summary of "William Wilson." In addition, this article gave me insight on what I should write about in my analysis of the story. 

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Magher, Maria. “How Does Edgar Allan Poe Keep the Reader in Suspense in ‘The Tell-Tale Heart’?” Seattle Pi Education, 21 Nov. 2017, education.seattlepi.com/edgar-allan-poe-keep-reader-suspense-the-telltale-heart-6117.html.

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This source was used to provide the audience of this website additional information about other works of Edgar Allan Poe. No quotes or information was used in the production of this website, besides providing a link. 

 

Miller, Gabriel. “Beyond the Frame: Hitchcock, Art, and the Ideal,” Postscript 5, No. 2 (Winter

1986): 31-46.

 

This source particularly was of aid when discussing the gothic motif of houses. While I

used this source to expand on a Poe short story, the sentiment of the gothic motif of houses still was true, so I implemented the idea onto Poe. This source also discussed other prominent houses in Hitchcock’s films such as Psycho.
 

Perry, Dennis R. “Imps of the Perverse: Discovering the Poe/Hitchcock Connection.”

Literature/Film Quarterly, vol. 24, no. 4, JSTOR, 1996, pp. 393–399. Accessed 10 Oct,

2018.www.jstor.org/stable/43796752.

 

This source described the similarities of Edgar Allan Poe and Alfred Hitchcock, relating to suspense. The source discusses the importance of objects and their symbol. In addition, Perry states Hitchcock’s and Poe’s impact on the audience, and how the knowledge that the film gives the audience is important in building suspense.

 

---. Hitchcock and Poe: The Legacy of Delight and Terror. The Scarecrow Press, Inc., 2003.

books.google.com/books?hl=en&lr=&id=aJXN1qz9YLcC&oi=fnd&pg=PR13&dq=hitc

ock+nd+edgar+allan+poe&ots=p5cWY7xMXk&sig=ss_2gmMJESPcJYQD4YbAzbXN

8#v=oneage&q=hitchcock%20and%20edgar%20allan%20poe&f=false.

 

This source also described the impact Poe had on Hitchcock, particularly Hitchcock’s childhood reading of Poe. The source was also beneficial for providing quotes from Hitchcock in which Hitchcock stated that he agreed with the similarity between Poe and him.

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Poe, Edgar Allan. "The Story of William Wilson." American English , americanenglish.state.gov/files/ae/resource_files/the_story_of_william_wilson.pdf.

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This source was simply used to quote excerpts from "William Wilson."

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"Poe's Biography." Edgar Allan Poe Museum, www.poemuseum.org/poes-biography.

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This resource was used as a reference for Poe's life story. Using facts such as broken engagements, etc., the Poe Museum provided essential details in Poe's early life that give more understanding and meaning to the works that he published. 

 

Spoto, Donald. The Art of Alfred Hitchcock: Fifty Years of His Motion Pictures. 2nd ed., Anchor

Books, 1992.

 

This source provided a unique perspective on Hitchcock, specifically by providing quotes

from interviews with Hitchcock himself. Thus Spoto also gave his interpretation from

those quotes and or interviews. As Spoto claims, this author was very biased in the

viewing of Vertigo; Spoto claims Vertigo as Hitchcock’s best film, but gives his reasoning

why.

 

Stovall, Floyd. The Conscious Art of Edgar Allan Poe. National Council of Teachers of English,

Mar. 1963, www.jstor.org/stable/pdf/373878.pdf?casa_token=AEp-Ib5tOjcAAAAA:

s3WQNIHRdLBISbCK-NGZB-ne2VIIpVf9CPLBmp2-iH-uJUoMaZSq8YsuWM98YtI

pUVx6yPZwIP8mRwWW0tOUvq9KAsfJzIJjy5HPnsr537jkOqXdfg.

 

Stovall provided information about doppelgangers for “William Wilson”, and the

psychological issues that Poe attempts to highlight through the rising of the dead in

“Ligeia,” and the mentality of Roderick Usher in the “Fall of the House of Usher.” For

this particular assignment, the paragraph about “William Wilson” and “Fall of the House

of Usher” aided comprehension and the ethos of the paper. However, I enjoyed the paragraph on “Ligeia” since previously reading the story.

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“Surprise.” Google Search, Google, www.google.com/search?q=define%2Bsurprise&rlz=

1CATTSD_enUS754US754&oq=define%2Bsurprise&aqs=chrome..69i57j0l5.4329j1j1&so

rceid=chrome&ie=UTF-8.

 

This source was a reference to what surprise is; this was a definition source.

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“Suspense.” Merriam-Webster, www.merriam-webster.com/dictionary/suspense.

 

This source was simply to define suspense, and have a point for which the audience can

refer to in the multitude possible definitions for suspense.

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Vorderer, Peter. “Suspense: Conceptualizations, Theoretical Analyses, and Empirical Explorations.” Google Books, Routledge, 1996, books.google.com/books?hl=en&lr=&id=NkVdAgAAQBAJ&oi=fnd&pg=PT29&dq=suspense%2Bin%2Bedgar%2Ballan%2Bpoe&ots=yv1a6R3XuY&sig=ZdL8aALEUp3ePQekDTWryVUZ1Kk#v=onepage&q=suspense%20in%20edgar%20allan%20poe&f=false.

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This source was used to provide the audience of this website additional information about other works of Edgar Allan Poe. No quotes or information was used in the production of this website, besides providing a link.

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